To celebrate the bicentenary of Alexander ‘Greek’ Thomson‘s birth a programme of events and activities have been planned to take place throughout 2017. We will continue to update this calendar throughout the year with more and more exciting events as these are confirmed so please keep checking back. You can also sign up to our e-mail newsletter here to stay up to date.
Apr
7
Fri
An exhibition celebrating the entries submitted for The Alexander Thomson Society’s Double Villa Competition.
Apr
8
Sat
BALFRON’S “GREEK” THOMSON BICENTENARY EXHIBITION:
Hosted by Balfron Heritage Group, FREE Exhibition of the photographs of Phil Sayer and other complementary images. From 8th April to 6th May 2017 in Balfron Library during normal Library hours.
Apr
10
Mon
Balfron Heritage Group and Balfron Community Singers’ are hosting a finale concert to mark the conclusion of Balfron’s bicentenary celebrations.
A new Alexander ‘Greek’ Thomson pipe tune, written by piper Daniel McDermott and commissioned by Jim Thomson of Balfron Heritage Group will be premiered at the event.
This concert will be at 7pm on Saturday 29th April in Balfron Church with tickets (£4/£2) available from Balfron Library (01360 440407) during normal library hours.
Apr
13
Thu
“SPECULATIONS ON INFINITY”:
Short one-man play narrated by the man himself. This will be accompanied by a 1960s film on Thomson’s architecture from the NLS Film Archive. Thursday 13th April : 7.30pm in the John McLintock Hall, Dunmore St., Balfron. FREE but ticketed in advance (due to numbers). Tickets from Balfron Library
Apr
15
Sat
Organised by the Balfron Heritage Group.
Meet at the Balfron Library.
Organised by the Balfron Heritage Group.
Meet at the Balfron Library.
Apr
20
Thu
Organised by the Balfron Heritage Group.
Meet at the Balfron Library.
Jul
25
Tue
Jul 25 @ 6:30 pm – 8:30 pm
In the bicentenary of Alexander ‘Greek’ Thomson’s birth, join Glasgow City Heritage Trust & The Alexander Thomson Society to ‘talk Thomson’ and decide: what is Thomson’s best building?
One of the Glasgow’s greatest architects, Alexander ‘Greek’ Thomson is praised for his originality, use of modern technologies and his personal Graeco-Egyptian style. Following on from the heated debates of our Battle of the Architects series and in the bicentenary of his birth, join Glasgow City Heritage Trust & The Alexander Thomson Society to ‘talk Thomson’ and decide once and for all: which of Thomson’s iconic works is really top of the pile? Can our speakers make a convincing argument for their favourite Thomson masterpiece in this architectural face-off?
ATS members receive free entry to this event, contact info@alexanderthomsonsociety.co.uk to receive your unique password.
Aug
18
Fri
Lines of Thought is an exhibition about architectural drawing and representation and is devoted to the work of Alexander Thomson, one of Glasgow’s most renowned nineteenth century architects. Curated and organised by the Alexander Thomson Society it celebrates the bicentenary of Thomson’s birth in April 1817 through a selection of original drawings by the architect and those of others who have later recorded or interpreted his work in a range of media including pen and ink measured studies, detailed digital renderings, precision models, journals, publications, sketches, film and the more abstract work of artists. The intention is to reveal the industrious, creative as well as the more complex side of the architect, his prolific imagination and uniquely creative architectural contribution to the architecture of the city of Glasgow and the Clyde estuary.
The exhibition is timed to coincide with the 13th biennial International Conference of the European Architectural Envisioning Association with a 3 day conference titled Space Time & Meaning hosted by the Glasgow School of Art and organised by the Mackintosh School of Architecture and the School of Simulation and Visualization.
Aug 18 @ 10:00 am – Aug 21 @ 4:00 pm
Things as they are/as they ought to be is an exhibition of works spanning sculpture, film and textiles by artists Olivia Jones and Alberta Whittle. Taking place inside the ruin of Alexander ‘Greek’ Thomson’s first church, the building’s context and style have acted as catalysts for conversations surrounding memory, history and appropriation between the curator and contributing artists. Experimenting with the tensions around dominant/collateral narratives and attributions, Jones and Whittle’s work seeks to explore such pressures and focus on historical interpretations or connotations that are often neglected.
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